The Other Trans-Atlantic/GARAGE
Focusing on this alternative geographical axis, The Other Trans-Atlantic. Kinetic and Op Art in Eastern Europe and Latin America 1950s – 1970s challenges the mainstream status in art history acquired by postwar North Atlantic art production. It traces a shared interest among artists that ran parallel to widely recognized movements such as American Abstract Expressionism, Art Informel or Lyrical Abstraction, and links the cultural centers of Warsaw, Budapest, Zagreb, Bucharest, and Moscow with those of Buenos Aires, Caracas, Rio de Janeiro, and São Paulo. The blossoming of kinetic and op art in these regions was largely conditioned by the common political and economic realities the countries were experiencing, which set the artists apart from contemporaries working in the field.
Photographer Diana Davis